Author: admin

  • Going Wide

    Years ago, I let Amazon be the sole retailer for my books in exchange for Kindle Unlimited listing and other supposed benefits. My work simply never took off on that platform; KU reads stagnated and paperback editions never sold overseas.

    Eventually, I decided I may as well go wide. Even if I had the same luck on other platforms, readers would have more choice. For paperbacks, my one other option remains Barnes & Noble. For ebooks, my next easiest choice was the Kobo Store (a Canadian choice, great to have these days). Google Play Books rounded out the initial foursome.

    I still turned out the greatest volume on Amazon, but for me, that can mean about 99 discounted digital titles on release day and not many after that initial push.

    I have now added a fifth option: Itch.io

    This platform might be better known for indie gaming, but it does sell books. I found it simple to add my five available titles; it may have taken an hour or less, though I didn’t exactly use a stopwatch to figure this out and wouldn’t trust my inner sense of time. It just felt simple.

    It may be more complicated to list titles more effectively, but I did my best with a beginner’s grasp of things.

  • Listings on Global Pi Market

    Having mined Pi coin on my phone since 2019, and seeing the project recently listed for trade on markets, I had the whim to add four of my titles to the Global Pi Market app in digital format.

    Prince Ewald the Brave, The Fate of Lenn, The Redemption of Jarek, and Their Village, Their Fortress are now available at 1.000 Pi each for the first three and 0.500 Pi for the lattermost (I figured it’s roughly half the size of the others). Your choice of epub or PDF.

    You can find information about Pi here. The Global Pi Market is a user app within the Pi ecosystem that was not created by the official team.

    For those interested in purchasing with more familiar currency, all of my available titles can still be found via Amazon, Barnes & Noble, Google Play, and the Kobo Store. Just enter Dylan Madeley in the search bar and see what comes up.

  • A series reading order

    A series reading order

    This year, I commence the project of rewriting and re-releasing my first three books. Once I realized I would do more than fix dialogue tags, I considered this a great opportunity to change the otherwise fragmented reading order of my releases.

    I’ll refer to the previous series chart, lovingly put together in MS Paint, to help you understand.

    The original release order and chronology

    An original series reading order, which begins with The Gift-Knight's Quest, then The Crown Princess' Voyage, then The Masked Queen's Lament, before showing you where two standalone books and three prequels fit in the series chronology.

    The prequel trilogy was always meant to be something you could read on its own. I realized long ago that I didn’t intend to write a seven or eight part series that needed to be read in order when the first book was not that widely read. Likewise, some readers refuse to enter a series unless it has a definite ending in its chronology. Mine had one called The Masked Queen’s Lament, but with five books having been released after it, there could be confusion over release order versus series chronology, timeline, and other things.

    Also, I found myself not promoting my initial trilogy because I wanted to lead with my best material, then invite people to look back if they were interested enough in the world presented. Along a ten year publishing journey, I like to believe I’ve improved at my craft. It felt dubious to say, “Just tough out the first books, and you’ll be rewarded later.” People may tough out the required reading in courses to advance their understanding or perhaps to pursue careers, yet my books are being offered as entertainment.

    I would find it difficult to tough out a film on the vague promise of better sequels; critical acclaim for those sequels (and, marginally, the encouragement of a widespread fanbase) might coax me. I am neither well known nor critically acclaimed. I have the power to roll up my sleeves and do more work, and that’s what I’ll do.

    One day, I decided to take my first trilogy off sale for an editing sweep, thinking I would just clean up the dialogue tags and accept the rest. I went as far as quietly fixing a few typographical errors in The Crown Princess’ Voyage and uploading the new version. There is much to be said about presentation, and much improvement you can make to a reader’s experience with the simplest corrections. Even then, I began to wonder. I looked to my first book.

    From page one of The Gift-Knight’s Quest I kept encountering things I would have done different, which would better express the ideas I intended to present. It was more than just a word choice here and there, particularly since I had already brushed it up for the 2019 reformatting/re-release (it amazes me that I didn’t touch the errant dialogue tags back when I was content to make simple changes).

    Now, the process is happening as it did with Their Village, Their Fortress. Ideas occur to me at random and inconvenient times, like when I’m about to shower. I’m compiling a Notes document, because I left too much to memory the first go-around.

    To be fair, I don’t loathe my first books, and many people have enjoyed them. Every so often, I find something in them that makes me proud. Overall, as gamers might say: “It’s a skill issue.” The most dramatically different of these re-releases should be the first book. The further along I get, hopefully, the more intact the original releases should be. I’ll find out when I get there.

    Three books still on the market (Prince Ewald the Brave, The Fate of Lenn, and The Redemption of Jarek) have already delivered a factual account of history resulting in the “gift-knight trilogy”, so what do the historical “flashback” sequences mean in The Gift-Knight’s Quest? I could already give a couple reasons why they would be incongruent with the prequels (though, for now, I will not), begging the question: what are they really and what purpose do they serve? There shouldn’t be as many of them if they aren’t meant to properly represent the burden of history on the shoulders of Derek and Chandra. They should occur frequently enough to serve their true purpose, which is less often than in the original text.

    Instead, more time should be spent considering the present of the story, who the characters are, and what they do. Every idea that has come to me so far is like that. The reimagining of some scenes and the necessary addition of others.

    Well, I won’t spoil everything. I just wanted to offer a taste of my work in progress.

    The new reading order

    Sharing once more, because the focus image appeared to cut off the simple chart legend. This was created in Canva, and the template was Blue and Green Modern Project Timeline Overview Graph by Aida.

    A series order chart suggesting a reading order for books by Dylan Madeley. The order goes: Prince Ewald the Brave, The Fate of Lenn, The Redemption of Jarek, Alathea: Goddess and Empress, current work in progress, next rewrite project, Their Village Their Fortress, and third rewrite project.
  • How 2024 Went

    How 2024 Went

    Writing, editing, and releasing an unexpected book was the highlight of my previous year. How did I get there?

    Some things were set in motion during 2023. About a year removed from my prior career doing shift work for a soap manufacturing company, and determined never to go back (to avoid further accelerated deterioration of my lower vertebrae, among other reasons), I found myself deep in an unsuccessful job hunt. That didn’t surprise me; one reason I took so long to abandon my prior career was the expectation of a tough job hunt, based on past experience. What stung a bit more was hiring a specialized career agency that helped revamp my resume, finally landed me in-person interviews, and coached me for them, only to encounter the same result. The agency contract expired and I had a spruced up resume, but no job, and not for lack of effort on either side.

    Then, a family member knew of a former coworker whose company was hiring at entry level in the middle of a crisis. They would train just about anybody to get some help quick. I still had to compete for my job, hot-dropped into a hectic environment with training on the fly, but I encountered the right opportunity at the right time and my efforts happened to be what the company required. I should never forget that suitable effort must intersect with other activating conditions to achieve a desired outcome, and I have very little patience for anybody who makes immediate negative assumptions about effort whenever the desired outcome isn’t achieved. We emphasize effort because we believe it’s within our control, but we should remain aware of other relevant factors.

    It’s been a profound privilege to have a family willing to keep me off the streets while strongly encouraging me to pursue independent living. At age 38, I had finally landed an opportunity that would allow me to afford the lower end of Toronto’s rent.

    The pivot between 2023 and 2024 was marked by finding my current living space, being approved for it, and setting my current life in motion.

    An assisted and efficient move later, I found myself with space and time. Living around six other people and two dogs (one dog, admittedly, being super chill) required a certain daily energy for me to adapt. Living alone presents the opposite end of the same balance issue: I get to socially disengage (and recharge) as needed, but now I must remember to make time for the minimum level of social engagement I require. Now I would consider every problem I had not been solving because I needed to prioritize finding/maintaining work and the move while coexisting with others. I have never been stellar at multitasking, and pushing it too hard too quickly can cause severe distress; yet I realize life rarely allows me to hyperfocus on one thing until it’s done properly before considering the next. In fact, any hyperfocus I can muster probably involves neglecting other important things for that duration.

    One issue had been lack of physical activity. Work used to involve standing, using my hands in pursuit of production targets I would have difficulty meeting; commuting was by public transit and often involved walking or standing. Put those together, and frequent physical activity was built into much of my day, though in a manner that has caused some ongoing issues. My first low-hanging fruit goal was to get moving again, but carefully, and within budget.

    Most of my social media images in the ensuing year are from kayaking two routes: toward Hanlan’s Island, or up the Humber River toward Bloor Street. Given a set launch point from Budapest Beach, and specific windows of time, I had a good warm season of scheduled activities which didn’t particularly hurt my back. Once things got cold, I first invested in an elliptical trainer, but I had let too many sedentary weeks go by and was no longer ready for that; I then invested in a walking pad which I make sure to use most days. I’m working my way up to being able to “run”, for elliptical trainer values of running.

    You might already have wondered where a new book fit in all this, especially since it wasn’t part of the plan. If there had been a book plan, it was created in 2015, not long after I self-published The Gift-Knight’s Quest. Before then, I didn’t even know what a sequel would be. I created a loose plan of six books by title. Most of those titles changed along the way, but the nature of the sequels followed by prequels were maintained.

    The Redemption of Jarek, my seventh title, was not directly part of this plan. The events therein were strongly implied by statements made by character(s) in the first trilogy, while events in sixth book The Fate of Lenn certainly begged the question, “Where did Jarek slink off to and why doesn’t he have any further role in the catastrophe to follow?”

    Perhaps I wanted this in my back pocket in case a fandom arose which demanded it. In contrast, perhaps the same motivators which pushed me to work on and release the prequel trilogy caught up with me once again: I don’t have infinite time to work with, and who else would I trust to tell my stories exactly as I would? If I have stories to tell, perhaps I had better write them while I can.

    When the first quarter of 2024 didn’t keep me busy with moving and setting up this new life, or paddling in a boat, I learned of a worse feeling. I wondered if I didn’t have more stories, and what that meant to my life if so. It felt profoundly empty to wonder what more I could do for seven titles that never caught on with anybody.

    Then, as if in answer to a prayer, something occurred to me around June. I could well have considered it while paddling in a boat or hand-washing dishes. Once I had even a shred of an idea, something I wouldn’t even call a full scene let alone a chapter or a story, there was no doubt in my mind.

    I had time and space. If I didn’t take advantage of any spark I could muster, and the time and space to make something happen, then how did I know whether my future would leave me the same time and space?

    Likewise, my recall capabilities aren’t stellar. I knew that at the very least the initial ideas should be written down because, yes, no fresh consideration is too important that I cannot possibly forget it. If I were lucky, I might recall it ten years later when it’s not such an opportune time.

    Maybe writing it down was the necessary lifehack. Recording detailed ideas was a cleaner and marginally more linear way of exploring them; an idea became a scene which begged questions which gradually fleshed out a story. A process which left something that I would be able to access as long as I can still read English.

    Life changed, as did my mood. Now I had a mission. Through July and August, things moved along so smoothly that I wondered if this had been the real story in my back pocket: something so thoroughly hidden that I have no record of it prior to June, nor had I been thinking about it due to the prequels. Something deliberately forgotten until the appointed time. Yet I have no way to substantiate that hypothesis, and didn’t feel like puzzling over that when I could write the story instead. I had a similar feeling while I created The Redemption of Jarek, as if I were recreating lost material from scratch.

    Cue Materia Primoris (The X-Files Theme) for comedic effect; then I break the fourth wall to meet your gaze, shrug my shoulders, and get back to work.

    It was going so well that I wondered whether I could release it for my birthday in mid-September, as a gift to myself. I’m glad I didn’t do that. I still keep two separate repositories of stages of editing and I could one day show you just how glad I am that I didn’t stop so early. If we’re only considering the edits performed after I began to use Atticus software to anticipate the paperback layout and ebook format (i.e. late in the process, excluding many date-in-title versions for Microsoft Word kept in a different folder), there are almost 40 separate run-throughs saved. The proper edits took me into the month of October.

    Everything seemed to unfold when it should. I don’t believe I could have finished it sooner, or if so, not properly.

    All this, amidst the backdrop of brewing sociopolitical upheavals on a global scale that haven’t yet touched me but will inevitably reach us all at the appointed time. Never a shortage of things to consider.

    Now we have entered 2025. I’m left to wonder what else is in my back pocket, if anything, and what comes next.

  • A New Year

    It seems to have been ten years since I self-published my first book, and only now have I done something with my domain name. You’re looking at it.

    My name is Dylan Madeley. You can learn whatever I put about myself on Amazon here. You can find a review of my latest release here. You can also check out my Facebook Page.

    My next goal is for any following blog posts to be far less slapdash. Until then, consider this an introduction and placeholder.