Tag: cover art

  • Front Cover and Pre-orders: The Last Gift-Knight

    Front Cover and Pre-orders: The Last Gift-Knight

    With The Last Gift-Knight set for release on April 1st, 2026, I have set up pre-orders on a number of ebook retailers. You can check them out by following this universal link and choosing your store of preference or by checking out any of the links below:

    Amazon

    Kobo

    Google Play Books

    Barnes & Noble

    Are you a fantasy book reviewer?

    Do you review books on a website, blog, Goodreads, Storygraph, or any other book review site? Do you genuinely enjoy reading fantasy? Then I would like to offer you a digital reviewer’s copy.

    Follow this link to a Google Form to register for your advance review copy.

    Frustrated with living in the shadow of a long-dead hero, Derek flees to infamous ruins and begs his ancestors for a sign. The next day, he is summoned to serve as the personal guard of his family’s greatest enemy. The ensuing journey leads him through storied places, the depths of loneliness, and a growing dread over what awaits at his destination.

    A reserved and bookish princess unexpectedly finds herself on the throne yet under suspicion. Chandra hardly has time to prepare or to grieve before facing her duties. Aided by a trustworthy few, she must identify and defeat the culprits before the next plot comes to fruition—one in which Derek is unwittingly key.

    Content warnings: medieval combat, weaponless combat, marital argumentation, death and grieving, and a brief depiction of verbal abuse.

    A reddish sky background and a man with a crimson gambeson and red riding cloak standing next to a pale but dappled horse. The backs of two figures' heads are seen. Stylized title text at the top reads The Last Gift-Knight while the author name near the bottom reads Dylan Madeley.

    The cover art

    This cover art by Jenn St-Onge works from a couple of inspirations. She can no doubt offer deeper insight, but I can only speak to my own perspective of the process.

    One is the cover of the book that I had completely rewritten to produce this one, The Gift-Knight’s Quest. That cover had in turn been partly inspired by the Knight of Swords tarot card, so it carried a pale horse, big fire energy, and one belligerent knight.

    My goal was not just to have the original art reproduced in a unique style. Like the book it represents, the new art bears elements of the old while travelling its own path. For instance, the colour of Derek’s horse Gale: not immediately described in the book, so the original cover art’s depiction serves as canon. The palette maintains that fiery spirit. Derek keeps a riding cloak which in this moment is dramatically flowing in the wind.

    The other inspiration is a scene being hinted at from the very first chapter of The Last Gift-Knight. Keeping too strictly to the scene would have limited the elements of the piece (and artistic license, which I prefer to allow); however, the setting, the time of day approaching sunset, and the characters involved including figures visible in the foreground are true to the scene.

    One might imagine the fourth man to be present, albeit just out of the picture. I will let the reader learn what I mean.

    This is not, however, the full picture. The wraparound art intended for the paperback edition is in progress.

  • Reveal: Prince Ewald the Brave full paperback art

    Reveal: Prince Ewald the Brave full paperback art

    I realize things have been quiet around here since last September. In the background, I have continued to grind out edits of The Last Gift-Knight through the end of November 2025.

    Status report

    While I have paused at length from editing and formatting the piece, I have had the privilege to join voice chat with Jenn St-Onge and watched her work on the full wraparound cover art of this upcoming release. You can watch some recordings on her Twitch stream.

    By no means am I left twiddling my thumbs until the art is finished. I have bookmarked a long list of possible recipients of advance reviewer copies (ARCs) and prepared a template inquiry. It has also occurred to me that I should write a series of posts leading up to the release of The Last Gift-Knight. There is always something I could be preparing to give this book the best release I can muster.

    There are also other collaborations I anticipate in the background to promote existing works. And then, of course, my daily life and contract work to pay the bills.

    An overdue reveal

    In that spirit, I then realized I am long overdue to show off the wraparound cover art for Prince Ewald the Brave that Jenn had previously finished. I might well have done so over on BlueSky while neglecting this blog.

    The choice of what to place on the spine and back cover required a lengthy discussion and the weighing of several options. Were we to continue the front cover view from a different angle? Would the back, spine, and front represent one continuous image? I wondered if the back should be dark to contrast with the sunny brightness of the front, especially if we were to show a shadier character from any angle.

    On the finished back cover, we have King Jonnecht the First in imperial finery, as befits his entitled show-off personality. We have him walking into the shadows where he belongs; one wonders what sordid business he might be off to. And we have all the polished and gilded and decorated architecture of the palace in which dwells the world’s wealthiest family.

    This project took a different direction than I first expected, and I’m glad it did. When I work with an artist, I am aware that I do not have the kind of visual imagination which allows me to vividly picture what I wish the cover to be, then pay someone with the finely articulated motor capabilities/skills to make it happen.

    I think most often in words and dialogue, which I must then use to the best of my ability to engage the reader’s visual imagination to its applicable extent.

    When collaborating with an artist, I immediately benefit the moment they sketch an impression of what imagery my words are in fact conjuring. This not only helps improve the resulting piece with thoughtful review; it can help me review my words. Am I really describing what I believe I am?

    Jenn’s experience in comic arts includes understanding impactful visual layout among other effective methods, which leads to great suggestions and careful collaboration. I am excited for the cover in progress.

    For insights into the process, you can join us on Twitch. When there are streams applicable to my work, I tend to announce that on my BlueSky account.

    Thanks for looking! I intend to post much more frequently in the coming month, not only about the book to be released but another collaborative project that will go live in March.